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EXCERPT

“Oh, yes,” the slight man said, caressing the black lacquer and gothic type of the company’s name. “It’s perfection. It truly is. Would you like to try it? Do you play?”

“Not like you. I wouldn’t presume to even touch a single key after hearing your performance.”

“You’re too kind. You say you’re looking for someone. You mean Anna? The French horn student? She was here earlier but I believe she’s left. There’s no one else, except the cleaning woman. But I can get a message to anyone in the orchestra or the administration, if you like.”

The visitor stepped closer yet and gently brushed a key—true ivory, the piano having been made before the ban. “You, sir,” he said, “are the one I came to see.”

“Me? Do I know you?”

“I saw you earlier today.”

“You did? Where? I don’t recall.”

“You were having lunch at a café overlooking that huge building. The fancy one, the biggest one in Warsaw. What is it?”

The piano tuner gave a laugh. “The biggest one in the country. The Palace of Culture and Science. A gift from the Soviets, which, the joke goes, they gave us in place of our freedom. Yes, I did have lunch there. But . . . Do I know you?”

The stranger stopped smiling. He looked from the piano into the narrow man’s eyes.

Like the assault of the sudden vehement chord in Haydn’s Surprise Symphony, fear struck the piano tuner. He picked up his tool kit and rose quickly. Then stopped. “Oh,” he gasped. Behind the stranger he could see two bodies lying on the tile near the front door: Anna, the horn player; and beyond her, the cleaning woman. Two shadows on the floor surrounded their limp figures, one from the entranceway light, one from their blood.

The Slav, not much taller than the piano tuner but far stronger, took him by the shoulders. “Sit,” he whispered gently, pushing the man down on the bench then turning him to face the piano.

“What do you want?” A quaking voice, tears in his eyes.

“Shhh.”

Shaking with fear, the piano tuner thought madly, What a fool I am! I should have fled the moment the man commented on the Bosendorfer’s German ancestry. Anyone with a true understanding of the keyboard knew the instruments are made in Austria.


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